{"product_id":"low","title":"Low","description":"\u003cp data-mce-fragment=\"1\"\u003eJanuary 1977 saw the release of the first installment of what came to be known as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDavid Bowie's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003eBerlin trilogy. That album was the Bowie\/\u003cstrong data-mce-fragment=\"1\"\u003eTony Visconti\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003eproduced\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLow\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand it was followed later the same year by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHeroes\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewith the trilogy completed in 1979 by the arrival of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLodger\u003c\/em\u003e. Most of the music across the three albums wasn't even recorded in Berlin, the unifying factor actually being Bowie, Visconti and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBrian Eno\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMuch has been written about the brilliance and braveness of the music on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLow\u003c\/strong\u003e\u003c\/em\u003e, and rightly so. It's probably hard to imagine with the ears of today how absolutely unique the record sounded back in 1977. Apart from the obvious slicing of the album into two distinct sides, Visconti gifted\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLow\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethat distinctive drum sound, among other things. \u003cspan data-mce-fragment=\"1\"\u003eThough\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLow\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a record purportedly informed by the likes of Kraftwerk and other German musicians of the time, it actually sounded far more organic and not at all mechanized. This was in no small measure due to the nucleus of the band Bowie had favored during this whole period (starting with \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eStation To Station\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e), of\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCarlos Alomar\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (guitar),\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDennis Davis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (drums) and\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eGeorge Murray\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (bass).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe album was a commercial success, peaking at No. 2 on the UK Albums Chart and No. 11 on the US Billboard Pop Albums chart. \"Sound and Vision\" and \"Be My Wife\" were released as singles; the former reaching No. 3 on the UK Singles Chart.\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLow\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esounds as fresh today as it ever did...thirty nine minutes of untouchable genius. Prepare to be transported by its gloriously uplifting melancholia and majestic musical language from a time and place that has yet to arrive.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSpeed Of Life\u003c\/li\u003e\n\u003cli\u003eBreaking Glass\u003c\/li\u003e\n\u003cli\u003eWhat In The World\u003c\/li\u003e\n\u003cli\u003eSound And Vision\u003c\/li\u003e\n\u003cli\u003eAlways Crashing In The Same Car\u003c\/li\u003e\n\u003cli\u003eBe My Wife\u003c\/li\u003e\n\u003cli\u003eA New Career In A New Town\u003c\/li\u003e\n\u003cli\u003eWarszawa\u003c\/li\u003e\n\u003cli\u003eArt Decade\u003c\/li\u003e\n\u003cli\u003eWeeping Wall\u003c\/li\u003e\n\u003cli\u003eSubterraneans\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"David Bowie","offers":[{"title":"Default Title","offer_id":50788222763264,"sku":"hbn1793029781946","price":19.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0841\/0297\/1648\/files\/low_1.jpg?v=1793029790","url":"https:\/\/carbonneutralclad.shop\/products\/low","provider":"My Store","version":"1.0","type":"link"}